Why I (Still) Love Tech: In Defense of a Difficult Industry

Stefan Dinse/EyeEm/Getty Images (clouds) And yet I still love the big T, by which I mean either “technology” or “trillions of dollars.” Why wouldn’t I? I came to New York City at the age of 21, in the era of Java programming, when Yahoo! still deserved its exclamation point. I’d spent my childhood expecting nuclear holocaust and suddenly came out of college with a knowledge of HTML and deep beliefs about hypertext, copies of WIRED (hello) and Ray Gun bought at the near-campus Uni-Mart. The 1996 theme at Davos was “Sustaining Globalization”; the 1997 theme was “Building the Network Society.” One just naturally follows the other. I surfed the most violent tsunami of capital growth in the history of humankind. …

How the Videogame Aesthetic Flows Into All of Culture

When the science fiction film Edge of Tomorrow, directed by Doug Liman, came out in 2014, WIRED called it “the best videogame you can’t play.” The film’s main character, Bill Cage, repeats the same day again and again—a day of futuristic combat with aliens. Each time he dies, Cage wakes up again on the previous day. Everything is as before, with the crucial difference that he remembers all the previous versions of that fatal next day. The repetitions are the film’s equivalent of a videogame’s replayability, and Cage’s battle skills improve, just as a player’s skills improve through replay. But Cage is not a player. He is a character in a narrative film, so the repeated days are in fact …